Tag: AIR

AIR – AUTOMATED & SUGAR FREE

OPEN STUDIO OPENS TONIGHT!

That there is the poster.

We hung the show over the past two evenings. When I say ‘we’ I definitely do not count myself as a useful team member. I always forget how much I struggle with hanging until I step into a gallery with a pile of random shit I’ve made and someone asks my opinion on something. I usually just stand there pretending to think about it but really I am just wondering if I can just arrange everything on the wall in a vaguely symmetrical shape and be done with the whole thing. I also am absurdly bad at things that require precision – ie hanging something level on a wall. I literally broke my foot trying to level a painting a couple of years ago.

Luckily, Gemma and Jose (the Zaratan team) are great at what they do and also very patient with the likes of me. Laying all my work out on the ground I was surprised by the links and stories they were able to draw from things I was used to seeing haphazardly blue-tacked around my studio in no particular order.

Here is Gemma trying to find a way to make these little weirdos work together.

It was surreal to see people treat my work with such care, like they were precious objects. I don’t know if that is indicative of my not valuing my work enough or perhaps just the nature of my work. One of my pieces was a 6.5 metre painting that I hadn’t quite intended to be so long! It proved fairly difficult to hang, and had it been left to me would have probably ended up crookedly pasted in an ill-fitting corner. Here is the offending item –

Gemma has really helped me to understand the value of my process and the freedom with which I can just make and make and make. What I tend to see as a bunch of weird experiments can actually all come together and tell an (almost cohesive) story. I remember one of my illustration teachers at UniSA telling me that if you create something very quickly or very simple that doesn’t mean that it is worth any less than something time consuming or detailed. Which I liked at the time because it was relevant for me but the truth of it still hasn’t entirely sunken into my brain.

Here is everyone working on hanging yet another inconveniently large piece of my work whilst I stand idly by.

In other news, back home it was my grandpa Scott’s funeral today. I really wish I could have been there but am also relieved that I didn’t have to cry all day which is what I would have done. My dad suggested that I draw something to distribute at the funeral – here is one of the images I sent him – 

Scottie’s passing is bittersweet. As he grew older his memory deteriorated but he maintained an incredible optimism that inspired those around him. If you were to ask him how he was on any given day, he would likely tell you that he was ‘very well’ and assure you that if he wasn’t very well he would soon forget about it. He looked forward to each day and savoured simple pleasures like dancing in the supermarket, discussing languages, eating a piece of fish, contemplating characteristics of wool samples, going to the bank and hanging out with his best mate Alwyn (my grandma).

My final news is also very bittersweet. I got some great new shoes for work, those who know me well will understand that that a lot of thought was put into purchasing the correct size. Despite 45 minutes of wandering around the store googling Doc Marten sizing charts and different shoe lasts, I haven’t managed to escape the dreaded Doc Martens breaking in blister.

Seeya later drongos!

AIR – how to draw princess jasmines

It was always a bit of a red flag for me as an art teacher when a student mentioned that they wanted to make Disney art (university students by the way). It usually meant I’d have to get pretty brutal with the student at some point in an effort to get them to consider something beyond their love for all things Disney, or endure shitty reproductions of characters I know nothing about (what are you Frozen Elsa?).

 

Yesterday I was feeling a little lost and felt frustrated because I kept drawing the same kinds of pictures over and over. Then I remembered that when I was a kid I went through a phase where I just really loved drawing princess jasmines. I had a bit of a jasmine drawing system that I used to experiment with, pushing the limits to see what could make the most truly beautiful jasmine.

So I thought I’d revisit drawing princess jasmines.

Here are the basics according to child Alice’s drawing process.
To draw the most stunning jasmine you need to nail the curly shoes. The more curly, the more elegant and beautiful.
Also the hair needs a really lovely curl, and if you add lots of extra sections to her pony tail then she becomes more beautiful. Boofy pants is a must, amplify that hip to waist ratio with extra boof. Also, note that red outfit jasmine really opened the creative doors colour wise for jasmine outfits, you can put her in yellow or green clothes if you want. Jewellery wise, take style inspo from the geenie cos his golden geenie bracelets are actually superior to jasmine’s arm band. DONT FORGET JEWEL HEADBAND.

The first one isn’t quite beautiful enough. The face doesn’t matter at all as long as you pay close attention to the key areas outlined above.

Yellow jasmine was a lefty, child Alice wouldn’t have been into it. Also green jasmine is a little off brief but adult Alice started to add some different flavours.

The whole point of the princess jasmines, was to celebrate that commitment to drawing the same dumb stuff over and over again without overthinking it. I think I will be more open to letting myself do that instead of worrying about doing something new or more meaningful. There’s also probably a whole bunch of stuff here about how my views of ideal feminine bodies and expectations for how I should look were influenced but I haven’t had a coffee yet so don’t worry about it.

 

 

 

 

AIR – drawing butts with my non-preferred hand

I wasn’t joking when I said I was going to start out drawing butts with my wrong hand.

Days 5-7 of the residency have seen a lot of this behaviour. The butts I can’t entirely explain but the wrongs hands I can. Probably in every one of my drawing classes I forced everyone to draw with their non-preferred hand. I find it’s a really good way to relax, reduce pressure and relinquish some control. It helps to deal with that feeling where you have a really cool, clear idea in your head of the awesome thing that you are going to do and then you end up with something bung, but not bung enough to make you laugh.

The past couple of days I have been sketching, collaging (digitally and on paper), printing, sculpting and thinking about what form my performance might take.

Here is my ACTION PLAN:

And here is a selection of some of the experiments I have been doing.

 

I’m trying not to think too much about what where I am going with all this. I’m just trusting that along the way there will be delightful moments where I unlock new ideas or ways of approaching things.

I’ve been doing a lot of wandering around Lisbon and soaking things up. There are abandoned buildings everywhere, hand painted tiles on everything, bandy legged old dudes stealing stone fruit from the mini market, tiny coffees, sardines, otherworldly ice cream, practical footwear (cobble stone streets yo), dog poo everywhere, pleased looking dogs everywhere, hills, bakeries, cheap cheese, old ladies in markets that make you sample chickpeas off the end of their bread knives – that kind of stuff. Here are some visuals,

and then there’s other stuff like vege maccas, street art, indoors art and a bizarre shower that reminds me of 60s movies where people are being futuristic.

Just for a moment reflect on how monumental it is for there to be a delicious vege option at maccas. I’m truly lovin’ it.

 

Sooooo, back to the art stuff, I think I always thought that it would feel really contrived or forced to be like ‘I’m so inspired by this place, my art is responding to this special thing blah blah blah’ during my residency, but its nice to see that there are definite influences from my surroundings and they are true to my style and personality and it feels natural.

Today I finally allowed myself to go to the art store with a budget of 50 euro, I spent 55. I walked away with a feeling of exhilaration because I have new art supplies and regret because I just blew heaps of cash on art supplies. Does anyone else spend like an hour puzzling over acrylic paints trying to weigh up economic value versus quality with no knowledge except for the price and packaging??? IT TAKES ME FOREVER and I forgot to buy just regular white paint. I invested in some super heavy gel medium for the first time and some weird looking beige house paint from the Chinese MEGASTORE pictured below, strange architecture.

That’s it for today, we just got back from an opening at the gallery called ponto I ponto, I’ll upload some photos of it soon, it reminded me of Zac Svendsen and Carl Jiorjio‘s favourite game ‘I draw a dick, you draw a dick’. There were free bananas (high quality).

Zaratan live streams their events and if you want to see this particular one it is available here. I recommend skipping to 2h 47m to see a baby riding a cat. On September 15th, Loki and I will be delivering a Not-DJ set which will be live streamed until we breach the copyright laws, I will provide more details closer to the date.

Artist In Residence

I officially began my first artist in residence program on Saturday. One of my goals during this adventure is to engage with the online world more consistently – so I have decided to blog about my experiences during the residency.

 

The basics,

WHERE? Zaratan Arte Contemporânea

But WHERE IS THAT? Lisbon, Portugal

HOW LONG? One month

WHAT DO YOU DO DURING AN ARTIST RESIDENCY? I don’t really know yet. My impression of this residency so far is WORK MAKE PLAY MAKE MAKE WORK WORK WORK PLAY MAKE etc etc. I have been assured that there is no pressure to create a ‘final product’ so I am going to use this opportunity to have fun with my art and see where that leads me.

WHY LISBON? Just had a good feeling about it and spontaneously applied for the residency.

 

Days 1 and 2,
were basically just Loki (my fiancè) and I relishing in our new digs. We had been staying in Airbnbs and hostels since we arrived and were ready to stay in one place for a bit.

On Day 3,
I had my first meeting with the gallery directors Gemma and Jose, and the other two resident artists, two Italians Gianluca and Marco. The Italians are collaborating on a very epic sounding project – I won’t give too much away but there’s talk of masks, prints, urban mythology, found objects, zines and street parties. The more I heard about their plans, the more I felt that my approach was totally opposite. When I try to plan things too comprehensively it always feels contrived and stresses me out. My plan was to buy a big piece of paper and start drawing some butts with my non-preferred hand. I tried not to feel too self conscious when it was my turn to explain what I was going to do during the residency but I definitely felt like I was being very vague after hearing the Italian plans.
We are going to do artist talks during the residency – my first one! I was initially anxious and was like ‘what the hell would I even tell people?’ but then I remember I spent five years getting paid to rant to uni students about art and art processes and realised it will be fun, so that’s cool.

The meeting ended with a 40min discussion about why risograph printing is the worst thing to happen in the world vs why its actually really nice and cool, and Gemma digging up a big piece of compressed bark chip wood stuff for me to paint on which I quickly scuttled off to my studio with.

Basically, if you are interested – my plan so far consists of playing around with drawing, painting, sculpture, multimedia, performance and dance.

Loki and I also began Portuguese classes which is nice. I LOVE HAVING A TEXT BOOK! I LOVE HOMEWORK…how long will this last….

 

Day 4,
The first official day of work! Had a severely prolonged battle with the snooze alarm situation on my phone, eventually made it to a cafe to do my Portuguese homework, this was slightly marred by an unfortunate overpriced orange juice situation but I’ve been instructed not to dwell upon that any more.

Today I make a tiny prototype sculpture of big-butted visor wearing gym junkie, a half woman/half chicken sketch, some hairdo studies and got really obsessed drawing the same cranky face over and over again (see my instagram for the GRIPPING live coverage of this). I also made some photo collages using photographs of neighbourhood buildings and some old magazines. They made me chuckle out loud a lot so I think I’m going to go nuts on those, here’s a little clue as to why.

I went to a pole dancing class for the first time in one million years and it was wonderfully difficult because the teacher noticed all the things I was doing wrong and made me do them properly OMG whyyyyyyyyyyyy. But obviously that’s a good thing and I am planning to do a live performance online and want to incorporate pole dance into it so stay tuned for that!

AND now I am writing this blog and now I have finished because it’s getting late and I want to eat a peach and some chocolate.

xxxxx

Alice