Tag: artist in residence

AIR – Done and done

 

It’s done! One month went by so quickly and now I am living one neighbourhood over from Zaratan in the very top room of a four storey building on a hill overlooking Lisbon and working at a fairly prestigious English college. Weird how quickly you can find yourself living in a place.

Kicking off our time in Lisbon with this residency was a fantastic plan. Loki and I feel connected to the gallery and it’s community and it’s comforting to know we can always wander in for a beer or a coffee and check out what’s going on.

Gemma and Jose decided to keep our (mine and the Italians) exhibitions up for an extra week which was nice. I think they didn’t expect it to be so annoying to install (hello 6.5metre drawing sorry everyone) so they thought they should get as much out of it as possible.

This residency helped me to understand and value my practice and process. Doing an artist talk made me feel a lot more confident in myself and validated in my creative choices. Gemma offered gentle guidance and helped me conceptualise my work in new ways.

Below are the artworks we ending up showing in the exhibition and a couple of drawings that we ended up cutting.

And there was the performance ‘By-product’ on the opening night. The video was then screened at the gallery.

 

So yeah, I’ve done an artist residency now! I can’t wait to do another but it will be awhile because I’ve joined the ole workforce again. In the meantime I’ll see how I settle into working life and think about getting a studio space with a couple of mates.

 

In other news, we are in a lovely apartment in Bairro Alto and there is a VERY tiny and cute mouse called Ferguson who keeps scooting around. He needs to get out of here though because he has been getting a bit big for his boots and ran across a pile of mushrooms as I was cutting them up on the dining table. FERGUSON! Plus there are actually two Fergusons AND then I had a dream that there were like, 80 Fergusons, so we are considering catching him in a box and putting him in a garden somewhere.

I have some work showing at a conference this week, Endangered Bodies, and they will be screening my video Beauty Makeup which is exciting. It will be nice to hang around at a university and pretend I work/study there.

AIR – By-product

Here is the video of my performance By-product in the form in which it was live streamed on September 27, 2018. By-product explores the perception of bodies and social behaviour by turning a potentially sexy attitude into something grotesque.

Music
‘Horses’ – Workhorse
‘Beige II’ – Mannix Flowerday

Livestream/video/effects/nicolas cage courtesy of Zaratan Arte Contemporânea

Final residency post coming soon!

AIR – AUTOMATED & SUGAR FREE

OPEN STUDIO OPENS TONIGHT!

That there is the poster.

We hung the show over the past two evenings. When I say ‘we’ I definitely do not count myself as a useful team member. I always forget how much I struggle with hanging until I step into a gallery with a pile of random shit I’ve made and someone asks my opinion on something. I usually just stand there pretending to think about it but really I am just wondering if I can just arrange everything on the wall in a vaguely symmetrical shape and be done with the whole thing. I also am absurdly bad at things that require precision – ie hanging something level on a wall. I literally broke my foot trying to level a painting a couple of years ago.

Luckily, Gemma and Jose (the Zaratan team) are great at what they do and also very patient with the likes of me. Laying all my work out on the ground I was surprised by the links and stories they were able to draw from things I was used to seeing haphazardly blue-tacked around my studio in no particular order.

Here is Gemma trying to find a way to make these little weirdos work together.

It was surreal to see people treat my work with such care, like they were precious objects. I don’t know if that is indicative of my not valuing my work enough or perhaps just the nature of my work. One of my pieces was a 6.5 metre painting that I hadn’t quite intended to be so long! It proved fairly difficult to hang, and had it been left to me would have probably ended up crookedly pasted in an ill-fitting corner. Here is the offending item –

Gemma has really helped me to understand the value of my process and the freedom with which I can just make and make and make. What I tend to see as a bunch of weird experiments can actually all come together and tell an (almost cohesive) story. I remember one of my illustration teachers at UniSA telling me that if you create something very quickly or very simple that doesn’t mean that it is worth any less than something time consuming or detailed. Which I liked at the time because it was relevant for me but the truth of it still hasn’t entirely sunken into my brain.

Here is everyone working on hanging yet another inconveniently large piece of my work whilst I stand idly by.

In other news, back home it was my grandpa Scott’s funeral today. I really wish I could have been there but am also relieved that I didn’t have to cry all day which is what I would have done. My dad suggested that I draw something to distribute at the funeral – here is one of the images I sent him – 

Scottie’s passing is bittersweet. As he grew older his memory deteriorated but he maintained an incredible optimism that inspired those around him. If you were to ask him how he was on any given day, he would likely tell you that he was ‘very well’ and assure you that if he wasn’t very well he would soon forget about it. He looked forward to each day and savoured simple pleasures like dancing in the supermarket, discussing languages, eating a piece of fish, contemplating characteristics of wool samples, going to the bank and hanging out with his best mate Alwyn (my grandma).

My final news is also very bittersweet. I got some great new shoes for work, those who know me well will understand that that a lot of thought was put into purchasing the correct size. Despite 45 minutes of wandering around the store googling Doc Marten sizing charts and different shoe lasts, I haven’t managed to escape the dreaded Doc Martens breaking in blister.

Seeya later drongos!

AIR – how to draw princess jasmines

It was always a bit of a red flag for me as an art teacher when a student mentioned that they wanted to make Disney art (university students by the way). It usually meant I’d have to get pretty brutal with the student at some point in an effort to get them to consider something beyond their love for all things Disney, or endure shitty reproductions of characters I know nothing about (what are you Frozen Elsa?).

 

Yesterday I was feeling a little lost and felt frustrated because I kept drawing the same kinds of pictures over and over. Then I remembered that when I was a kid I went through a phase where I just really loved drawing princess jasmines. I had a bit of a jasmine drawing system that I used to experiment with, pushing the limits to see what could make the most truly beautiful jasmine.

So I thought I’d revisit drawing princess jasmines.

Here are the basics according to child Alice’s drawing process.
To draw the most stunning jasmine you need to nail the curly shoes. The more curly, the more elegant and beautiful.
Also the hair needs a really lovely curl, and if you add lots of extra sections to her pony tail then she becomes more beautiful. Boofy pants is a must, amplify that hip to waist ratio with extra boof. Also, note that red outfit jasmine really opened the creative doors colour wise for jasmine outfits, you can put her in yellow or green clothes if you want. Jewellery wise, take style inspo from the geenie cos his golden geenie bracelets are actually superior to jasmine’s arm band. DONT FORGET JEWEL HEADBAND.

The first one isn’t quite beautiful enough. The face doesn’t matter at all as long as you pay close attention to the key areas outlined above.

Yellow jasmine was a lefty, child Alice wouldn’t have been into it. Also green jasmine is a little off brief but adult Alice started to add some different flavours.

The whole point of the princess jasmines, was to celebrate that commitment to drawing the same dumb stuff over and over again without overthinking it. I think I will be more open to letting myself do that instead of worrying about doing something new or more meaningful. There’s also probably a whole bunch of stuff here about how my views of ideal feminine bodies and expectations for how I should look were influenced but I haven’t had a coffee yet so don’t worry about it.